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Art --- collages [visual works] --- racial discrimination --- slavery --- civil rights --- watercolors [paintings] --- gouaches [paintings] --- African American --- Amerikaanse burgeroorlog (kunst) --- Walker, Kara
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Iconography --- Art --- Architecture --- installations [visual works] --- architecture [discipline] --- geography --- civil rights --- doolhof --- Indiaan --- Friedl, Peter --- Hein, Jeppe --- Beutler, Michael --- Bismuth, Pierre --- Melhus, Bjorn --- Nicolai, Olaf
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73.07 --- 7.07 --- 75.07 --- Beelhouwkunst ; vnl. 2de helft 20ste eeuw ; J. Whitten --- Whitten, Jack 1939-2018 (°Bessemer, Alabama, Verenigde Staten) --- Abstracte kunst --- Civil Rights Movement --- Beeldhouwkunst ; beeldhouwers A - Z --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A-Z --- Schilderkunst ; schilders --- Whitten, Jack, --- Exhibitions --- Art --- sculpture [visual works] --- painting [image-making] --- primitivism [artistic concept] --- mixed media works --- Whitten, Jack
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Hank Willis Thomas: All Things Being Equal presents a survey of the artist's prolific and extraordinary interdisciplinary career, incorporating all aspects of his art, with a particular focus on the work's relationship to the photographic image and to issues of representation and perception. At the core of his practice, is his ability to parse and critically dissect the flow of images that comprises American culture, and to do so with particular attention to race, gender, and cultural identity. Other powerful themes include the commodification of identity through popular media, sports, and advertising. In the ten years since his first publication, Pitch Blackness, Thomas has established himself as a significant voice in contemporary art, equally at home with collaborative, trans-media projects such as Question Bridge, Philly Block, and For Freedoms as he is with high-profile, international solo exhibitions. This extensive presentation of his work contextualizes the material with incisive essays from Portland Art Museum curators Julia Dolan and Sara Krajewski and art historian Sarah Elizabeth Lewis, and an in-depth interview between Dr. Kellie Jones and the artist that elaborates on Thomas's influences and inspirations.--from the Publisher
Art --- sculpture [visual works] --- photography [process] --- racial discrimination --- social stratification --- civil rights --- video art --- interactive art --- Thomas, Hank Willis --- African American art --- Photography, Artistic --- 761.2 fotografen afzonderlijk --- 705.9 --- fotografie --- conceptuele kunst --- concept art --- Identiteit (Zelfbeeld Zelfkennis) --- beeldcultuur --- collages --- branding (marketing) --- reclame --- popcultuur --- 21e eeuw (eenentwintigste eeuw) --- kunst; algemeen ; beeldende kunst; algemeen ; 21e eeuw --- Thomas, Hank Willis, --- Exhibitions
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linoleumsnede --- Catlett, Elizabeth --- Drawing --- Iconography --- Art --- linocuts [prints] --- slavery --- anno 1900-1999 --- anno 2000-2099 --- United States --- slavernij --- zwarten --- prints [visual works] --- African Americans in art --- Civil rights movements in art --- 76.071 CATLETT --- Afro-Amerikanen --- Catlett Elizabeth --- grafiek --- houtgravures --- kunst --- Melanie Anne Herzog --- twintigste eeuw --- Verenigde Staten --- Catlett, Elizabeth, --- White, Elizabeth Catlett, --- Mora, Elizabeth Catlett, --- Mora, Francisco, --- Catlett, Alice Elizabeth, --- Exhibitions --- slavernij; lijfeigenen en slaven --- slavernij; lijfeigenen en slaven. --- zwarten. --- Catlett, Elizabeth. --- onderdrukking (kunst) --- United States of America
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This book is a richly illustrated survey of more than 200 artists whose works address the political, often using radical approaches and techniques to communicate their ideas. Since the turn of the 21st century, contemporary artists have increasingly engaged with some of the most pressing issues facing our world and their art has taken a distinctly political turn. Eleven themed chapters with integrated illustrations each provide a closely woven argument about the contribution of specific artworks and projects to different aspects of political and social engagement, from globalization and citizenship to activism and the environment.
social history --- politics --- dictatorships --- video recordings --- public spaces --- deomocracies --- civil rights --- photography [process] --- terrorism --- environmental art --- Art --- performance art --- sociology --- installations [visual works] --- economics --- interactive art --- community art --- globalization --- conflict [general sense] --- anno 2000-2099 --- anno 1900-1999 --- 77.04 --- 77.03 --- Artistieke fotografie. Foto's naar het onderwerp --- Documentaire fotografie --- 77.04 Artistieke fotografie. Foto's naar het onderwerp --- 77.03 Documentaire fotografie --- democracies --- Politique --- Mondialisation --- Citoyenneté --- Photographie --- Installation-art --- video recordings [physical artifacts] --- kunst en politiek --- sociale kritiek
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"By the late 1960s, the United States was in a pitched conflict in Vietnam, against a foreign enemy, and at home--between Americans for and against the war and the status quo. This powerful book showcases how American artists responded to the war, spanning the period from Lyndon B. Johnson's fateful decision to deploy US Marines to South Vietnam in 1965 to the fall of Saigon ten years later. Artists Respond brings together works by many of the most visionary and provocative artists of the period, including Asco, Chris Burden, Judy Chicago, Corita Kent, Leon Golub, David Hammons, Yoko Ono, and Nancy Spero. It explores how the moral urgency of the Vietnam War galvanized American artists in unprecedented ways, challenging them to reimagine the purpose and uses of art and compelling them to become politically engaged on other fronts, such as feminism and civil rights. The book presents an era in which artists struggled to synthesize the turbulent times and participated in a process of free and open questioning inherent to American civic life. Illustrated in color throughout, Artists Respond features a broad range of art, including painting, sculpture, printmaking, performance and body art, installation, documentary cinema and photography, and conceptualism"--
Art --- art [fine art] --- wars --- feminism --- civil rights --- political art --- anno 1960-1969 --- anno 1970-1979 --- Vietnam --- Vietnam War, 1961-1975 --- Art, American --- Art and war --- Art and society --- ART / Art & Politics. --- ART / American / General. --- ART / History / Contemporary (1945-) --- ART / Popular Culture. --- HISTORY / Military / Vietnam War. --- ART / Mixed Media. --- Art, American. --- Art and society. --- Art and war. --- Art and the war --- Political aspects --- History --- 1900-1999 --- United States. --- art [discipline]
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In recent years, the world has seen the rise of white nationalism in America and the tragic persistence of violence against African-Americans. Featuring works by more than 30 artists and writings by scholars and art historians, this book - and its accompanying exhibition - gives voice to artists addressing concepts of mourning, commemoration, and loss and considers their engagement with the social movements, from Civil Rights to Black Lives Matter, that Black grief has galvanized. Artists included: Terry Adkins, Jean-Michel Basquiat, Kevin Beasley, Dawoud Bey, Mark Bradford, Garrett Bradley, Melvin Edwards, LaToya Ruby Frazier, Charles Gaines, Theaster Gates, Ellen Gallagher, Arthur Jafa, Daniel LaRue Johnson, Rashid Johnson, Jennie C. Jones, Kahlil Joseph, Deana Lawson, Simone Leigh, Glenn Ligon, Kerry James Marshall, Julie Mehretu, Tiona Nekkia McClodden, Okwui Okpokwasili, Adam Pendleton, Julia Phillips, Howardena Pindell, Cameron Rowland, Lorna Simpson, Sable Elyse Smith, Tyshawn Sorey, Diamond Stingily, Henry Taylor, Hank Willis Thomas, Kara Walker, Nari Ward, Carrie Mae Weems, and Jack Whitten. Essays by Elizabeth Alexander, Naomi Beckwith, Judith Butler, Ta-Nehisi Coates, Okwui Enwezor, Massimiliano Gioni, Saidiya Hartman, Juliet Hooker, Glenn Ligon, Mark Nash, Lisa Phillips, Claudia Rankine, and Christina Sharpe.
Art --- photographs --- sculpture [visual works] --- installations [visual works] --- grief --- racial discrimination --- civil rights --- video art --- performance art --- easel paintings [paintings by form] --- commemorations [events] --- mourning --- race [group of people] --- sound art --- African Americans in art --- Grief in art --- Art, American --- African Americans --- kunst --- eenentwintigste eeuw --- Verenigde Staten --- racisme --- afro-amerikanen --- kunst en samenleving --- kunst en maatschappij --- 7.039 --- Afro-Americans --- Black Americans --- Colored people (United States) --- Negroes --- Africans --- Ethnology --- Blacks --- Violence against --- Exhibitions --- Black people --- Racisme --- Colonialisme --- Noirs américains --- Chagrin --- Catalogues d'exposition --- African Americans in art. --- Art américain --- Art, American. --- Black lives matter movement --- Chagrin dans l'art --- Grief in art. --- Noirs américains dans l'art --- Violence against. --- 2000-2099. --- United States --- Race relations --- Psychological aspects --- paintings [visual works]
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Forensics originated from the term “forensis” which is Latin for “pertaining to the forum.” The Roman forum was a multidimensional space of negotiation and truth-finding in which humans as well as objects participated in politics, law, and the economy. With the advent of modernity, forensics shifted to refer exclusively to the courts of law and to the use of medicine, and today as a science in service to the law. The present use of forensics, along with its popular representations have become increasingly central to the modes by which states police and govern their subjects.By returning to forensis this book seeks to unlock forensics’ original potential as a political practice and reorient it. Inverting the direction of the forensic gaze it designates a field of action in which individuals and organizations detect and confront state violations.The condition of forensis is one in which new technologies for mediating the “testimony” of material objects—bones, ruins, toxic substances, landscapes, and the contemporary medias in which they are captured and represented—are mobilized in order to engage with struggles for justice, systemic violence, and environmental transformations across the frontiers of contemporary conflict.This book presents the work of the architects, artists, filmmakers, lawyers, and theorists who participated directly in the “Forensic Architecture” project in the Centre for Research Architecture at Goldsmiths University of London, as well as the work of associates and guests. It includes forensic investigations undertaken by the project and its collaborators aimed at producing new kinds of evidence for use by international prosecutorial teams, political organizations, NGOs, and the UN. It also brings together research and essays that situate contemporary forensic practices within broader political, historical, and aesthetic discourse.
politics --- wars --- projects [artistic concepts] --- human geography --- research [function] --- Architecture --- architecture [discipline] --- Social geography --- Human rights --- forensic science --- Forensic Architecture [London] --- Forensic sciences --- Forensic anthropology --- 711.4 --- 72.01 --- 373.67 --- 323.28 --- 614.8 --- 365.6 --- 355 --- 725.18 --- 711.16 --- 504 --- Grenzen --- 321 --- 351.778.6 --- Globalisatie --- 572 --- 34 --- 316 --- 3 --- 32 --- 711.4(A) --- Architectuur ; stedenbouw ; onderzoek ; hergebruik conflictzones --- Forensic Architecture project ; Goldsmiths ; University of London --- Architectuuronderzoek --- Architectuur en maatschappij --- Architectuur en archeologie ; 'levende' dodenkampen --- Maatschappijwetenschappen ; conflictgebieden --- Alternatieve participatie ; rechtsinspraak --- Duurzame architectuur en stedenbouw ; 21ste eeuw --- Klimaatsverandering ; oplossingen --- 77.04 --- 77.03 --- Basic rights --- Civil rights (International law) --- Rights, Human --- Rights of man --- Human security --- Transitional justice --- Truth commissions --- Anthropology, Forensic --- Medicolegal anthropology --- Physical anthropology --- Criminalistics --- Forensic science --- Science --- Criminal investigation --- Stedenbouw (theorie) --- Architectuurtheorie --- Architectuur (theorie) --- Onderzoek (architectuur) --- Onderzoek (stedenbouw) --- Terrorisme --- Bescherming --- Veiligheid --- Veiligheid van de accommodatie --- Oorlog --- Militaire architectuur --- Heropbouw --- Wederopbouw --- Stadsvernieuwing --- Duurzame ontwikkeling --- Territoriumindelingen --- Ruimtelijk beleid --- Antropologie --- Recht --- Sociologie --- Maatschappijwetenschappen --- Democratie --- Politiek --- Architectuur ; theorie, filosofie, esthetica --- Stedenbouw. Ruimtelijke ordening ; denken over de stedenbouw --- Onderwijs ; kunst- architectuuronderwijs --- Artistieke fotografie. Foto's naar het onderwerp --- Documentaire fotografie --- Law and legislation --- Exhibitions --- 77.03 Documentaire fotografie --- 77.04 Artistieke fotografie. Foto's naar het onderwerp --- Criminalistique --- Anthropologie légale --- Droits de l'homme (Droit international) --- Forensic Architecture (Project) --- Anthropology --- genocide --- mensenrechten
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political art --- jazz --- civil rights --- Art --- African American --- Harlem Renaissance --- art [fine art] --- primitivism [artistic concept] --- migration [function] --- racial discrimination --- motion pictures [visual works] --- Hartt, David --- Chase-Riboud, Barbara --- Johnson, Malvin Gray --- Marshall, Kerry James --- Lewis, Edmonia --- Smith, Albert --- White, Charles --- Thrash, Dox --- Thompson, Bob --- Micheaux, Oscar --- Delaney, Beauford --- Thomas, Hank Willis --- Motley, Archibald J. --- Basquiat, Jean-Michel --- Bearden, Romare --- Lawrence, Jacob --- Saunders, Raymond --- Overstreet, Joe --- Duncanson, Robert Scott --- Tanner, Henry Ossawa --- Dial, Thornton --- Driskell, David C. --- Bey, Dawoud --- Lovell, Whitfield --- Gallagher, Ellen --- Pippin, Horace --- Lewis, Norman --- Ligon, Glenn --- Hammons, David --- Gammon, Reginald --- Thomas, Alma --- Alston, Charles H. --- Jones, Loïs Mailou --- Barthé, Richmond --- Catlett, Elizabeth --- Saar, Betye --- Amos, Emma --- Douglas, Aaron --- Andrews, Benny --- Drake, David --- Hayden, Palmer --- Wells, James Lesesne --- Douglas, Emory --- Colescott, Robert --- Savage, Augusta --- Thomas, Mickalene --- Ellison, Walter --- Clark, Claude --- Ringgold, Faith --- Harrington, Oliver Wendell --- Smith, Mary T. --- Crite, Allan Rohan --- Bois, du, W.E. Burghardt --- Johnson, William H. --- Jennings, Wilmer --- anno 2000-2099 --- anno 1900-1999 --- anno 1800-1899 --- United States --- Woodruff, Hale --- Williams, Bert --- Afro-Amerikaanse kunst --- discriminatie --- zwarten --- Wereldoorlog I --- Wereldoorlog II --- geschiedenis --- racisme --- burgerrechten --- primitivisme --- Wereldtentoonstelling 1900 (Parijs) --- Crow, Jim --- Du Bois, William Edward Burghardt --- Louis, Joe --- Gammon, Reginald A. (Jr.) --- 19de eeuw --- 20ste eeuw --- Amerika --- Parijs --- Frankrijk --- Bois, Du, W.E.B. --- African American art --- Afro-Amerikaanse kunst. --- discriminatie. --- zwarten. --- Wereldoorlog I. --- Wereldoorlog II. --- geschiedenis. --- racisme. --- burgerrechten. --- primitivisme. --- Wereldtentoonstelling 1900 (Parijs). --- Crow, Jim. --- Du Bois, William Edward Burghardt. --- Pippin, Horace. --- Louis, Joe. --- Bearden, Romare. --- Catlett, Elizabeth. --- Lewis, Norman. --- Gammon, Reginald A. (Jr.). --- Thomas, Alma. --- 19de eeuw. --- 20ste eeuw. --- Amerika. --- Parijs. --- Frankrijk. --- art [discipline] --- United States of America
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